Transcoding 4k can be a challenge, so a lot of server owners simply don't allow it. The server owner most likely has a "4k transcode kill" script setup that terminates any transcodes of 4k. I have a hunch at what is going on, but no guarantee this is it.įor the scenario where you get an error, what is probably happening is you are hitting play for a 4k file and the server has decided it needs to transcode. My first suggestion would definitely be to talk to the server owner. Not having access to confirm for sure what the server is doing certainly makes this more difficult. Menu still shows that original quality is selected and I've confirmed that the source is working when not being streamed.Īdditionally, I have confirmed that the device and configuration will play 4k seamlessly from YouTube, where it takes up the whole screen and is definitely playing in full 4k resolution The video content is clearly pixelated, and there's black bars at the top and bottom of the video. (Again, I know this seems to be a documented issue with content that has subtitles, but none of the content I am trying to play has subs or they're not enabled.)Ģ) It plays, but definitely not in 4k. Playing content in "Original Quality" (when the content is 4k HVEC Main 10 HDR)ġ) It doesn't play at all, giving me the "Error Conversion failed. I've tried searching for this issue both online and in reddit, and the only threads I can find are the subtitle related ones) I'm having a couple of problems, both of which are resolution based (I'm guessing). Recently got a 4k tv and I'm trying to get Plex working using my phone to cast 4k content to my Chromecast Ultra (wired ethernet connection) Please go to the relevant subreddits and support forums, for example: Build help and build shares posts go in their respective megathreads No referral / affiliate links, personal voting / campaigning / funding, or selling posts Welcome to /r/Plex, a subreddit dedicated to Plex, the media server/client solution for enjoying your media! Plex Community Discord Rules This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.Latest Regular Threads: No Stupid Q&A: Tool Tuesday: Build Help: Share Your Build: Submit Troubleshooting Post Files not showing up correctly? SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally.
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